ContextPath

role — Lead UX Designer

event — Anthropic × The Met

tools — Figma · Figma MCP · Claude Code

I was invited to a one-day hackathon held by Anthropic and The Metropolitan Museum of Art, at the Met, coinciding with the release of Claude Opus 4.8. The Asian Art collection holds some of the oldest artifacts in the building, yet much of Western society lacks the cultural frame of reference to appreciate them the way they might the Greek or Roman galleries. Using Claude, I built an experience that delivers that depth of context to visitors without pulling them away from the piece in front of them, designed in Figma and brought to life with Claude Code for a live demo.

ContextPath shown on two iPhones — a Met-branded landing screen and a Regal Lion artifact detail page
An AI companion that hands a museum visitor the historical context of an artifact, on the spot, without taking their eyes off the piece.
The Brief

How might we encourage museum visitors to engage deeper with the Met's Asian Art collection?

The Metropolitan Museum of Art in New York City's Asian Art collection contains over 34,000 digitized works of art from 4000 BCE to the present day. However, some of the work contains symbols, ideas, or techniques that are unfamiliar to contemporary or non-expert audiences, from calligraphic writing to fantastic beasts.

So, the Met invited me to explore ways AI can invite audiences to further engage with this collection, on-site or online. They described this as either creating something in a dialog with a single, detail-rich work, or being inspired by or using data from large swaths of the collection.

Problem

The missing piece: context.

I interviewed four willing participants (two already exploring the Asian Art collection, and two elsewhere in the museum), asking what drew them in, or why they hadn't visited the collection yet, through open-ended, non-leading conversation.

Four interview quotes as message bubbles — ‘Once you’re in one area, you get kind of stuck just due to the sheer size.’ · ‘It’s kind of dull.’ · ‘I’m just like…what am I looking at?’ · ‘I’d love to learn about the context in which this existed.’
Quotes pulled from on-site interviews about the Asian Art collection specifically.

Across those conversations the same gap surfaced: people were genuinely curious, but without a frame of reference for the symbolism and history, the works felt harder to approach than the Greek or Roman galleries next door. The interest was there — the context wasn't.

Solution

Using Claude integration to provide a depth of context to an artifact without losing face-to-face experience with the piece.

The Asian Arts collection at the museum dates back to 3200–2000 BCE with ritual objects (bi discs) from the Neolithic Liangzhu culture – needless to say, that is a very, very long time ago. Such an incredibly rich and long history exists in all of the artifacts in the collection, yet much of Western society does not understand the context or the history behind the pieces like they might the Greek or Roman collection. So, we decided to bridge that gap by providing that depth of context through Claude and Anthropic's services.

Scanning the Standing Lion, then following its label into deeper historical context.

The app also pulls from the Met's database of other works that have similar iconography or time in history to encourage engagement with other parts of the museum and highlight that we are, and have always been, all connected despite our geographical place in the world. We see opportunity for a connection to contemporary works as well.

Underlying Concept

An accessory to face-to-face experience, not a replacement.

Say a visitor with ContextPath is standing in front of the Standing Lion from the Tang Dynasty, and wants to understand it in the context of when it was made.

The Standing Lion, Tang dynasty (618–907), 8th century — a stone guardian lion with open mouth and flame-shaped tail on a carved plinth
A visitor stands before the Standing Lion from the Tang Dynasty and wants to know more.
01

Scan the piece

The visitor scans the artifact, and Claude pulls from the museum's database to identify exactly what they're looking at.

02

Unpack the label

They dig into the key words on its label, in their historical context, to build real understanding of the piece itself.

03

Follow the thread

This can continue as long as it stays interesting, surfacing related works elsewhere in the museum along the way.

The ContextPath logic — a museum label for the Standing Lion gains tappable highlighted terms, then a ‘search similar’ action expands a key word into a richer Regal Lion explanation about lions in East Asian culture, the Silk Road, and the Tang dynasty

Crucially, visitors cannot view the piece through their phone, and cannot revisit information for past pieces unless they're standing in front of them. This way, the experience never replaces the significance of face-to-face connection with artifacts in the museum.

AI in art and museum spaces often draws public pushback. So while it's no secret that the scan and database are powered by Claude, that stays discreet (a quiet path into deeper knowledge, for the greater good, far less likely to invite controversy).

Finally…

Thank you to Team Anthropic and the Met.

I'd like to close by extending my heartfelt thanks to the two remarkable institutions that made this project possible.

To the team at Anthropic — thank you for building tools that genuinely expand what's creatively and intellectually possible, and for bringing them into spaces like this one. Beyond the technology, the conversations I got to have with people from the Anthropic team on the day were so thoughtful, generous, and genuinely inspiring. Your support throughout the hackathon, and your belief that AI can be a meaningful collaborator in the arts, made all the difference.

To The Metropolitan Museum of Art — thank you for opening your doors, your collection, and your curiosity to us. There is something quietly profound about being invited to think about the future inside one of the world's great temples to human creativity.